Working. Labor. I'm lucky to be doing something that I enjoy so thoroughly and that lets the right side of my brain take a turn. For over 55 years of my life, I functioned with the left side very dominant, and that's a good thing. People want their docs to be left brained/exacting/knowledgeable/pragmatic. So I happily worked with women in their labors for over 20 years and loved every minute of it.
However, people want their longarm quilters to be just the opposite: artistic/tuned in/appreciative of the appeal in each quilt and able to enhance the quilter's often lengthy labor of piecing it all together. They want someone who can see beyond the blocks and bring something unique to the quilting. And that's where "class" comes in. I get to be the person who brings the quilt to life, complementing the piecer's efforts and color scheme and patterns. I get to have a go at giving each quilt something special, so that it's in a class by itself -- if not to the world, then to the quilter.
This quilt was a labor of love. Every day that I went to my lurkim and worked on it, I felt happy to see it. Phyllis McK did me the honor of asking me to quilt this beauty for her. I loved the color scheme! I never think to use black in my quilts, which is a serious shortcoming on my part, because it makes the palette stunning!
So I did continuous curve in the cream spaces of the blocks and a wonderful orange skin pattern for the solid blocks. Click on this picture to see it magnified for greater detail.
The borders were just at the top and bottom of the quilt -- a nice touch. I put in tailored piano keys there, and voila! The quilt just sang! And my customer was very happy with the end result. Me too.